Another Chance To Win FREE Dining In Our 2024 New Tampa Reader Dining Survey & Contest!

So, it seems that the change in format has thrown some of our usual voters for a loop, but here’s the bottom line: There’s only about two months left for you to submit your votes for your Favorite Restaurants in New Tampa & Wesley Chapel — and to win up to $200 in FREE dining to the restaurant of your choice!

If you click HERE, you’ll find lists of every local and small chain restaurant in a number of categories in both Wesley Chapel and New Tampa. We’re asking you to name your favorites in each category. You can skip as many categories as you like, but we’re grouping the lists of restaurants by type. Here are those categories:

1) Your Five Favorite (overall) Restaurants in New Tampa (NT)

2) Your Favorite American Restaurant in New Tampa

3) Your Favorite Pizza Place in NT

These same categories also appear on the Wesley Chapel ballot. Both entry forms also include lists of places that ask you to pick your Favorite places in New Tampa (NT) AND Wesley Chapel (WC). Here are those other categories:

1) You Favorite Mexican Place in NT/ WC

2) Your Favorite Latin (but not Mexican) Restaurant in NT/WC

3) Your Favorite Chinese Place in NT/WC

4) Your Favorite Japanese/Sushi Restaurant in NT & WC

5) Your Favorite Thai or Korean Restaurant in NT/WC

6) Your Favorite Italian Food in NT/WC

7) Your Favorite Greek or Mediterranean Restaurant in NT/WC

8) Your Favorite Indian Place in NT/WC

9) Your Favorite Breakfast Place in NT/WC

9) Your Favorite Ice Cream, Frozen Yogurt or Gelato Place in NT/WC

10) Your Favorite Bakery in NT/WC

11) Your Favorite Coffee Shop in NT/WC

We’re providing the lists of places — although we’ve left out the large national and regional chains (with more than 50-60 total locations), because you still have to type in the names of your favorites in the spaces provided and we’re pretty sure you know those chains if they’re your favorite in a category — and yes, you can still include them (we just wish you would focus more on local).

Fill out as many categories as you like, but please don’t put the same name in every category, because those votes won’t be counted. And, if a restaurant is on our Wesley Chapel list, your vote won’t count if you write the name of that restaurant in any New Tampa-only spaces and vice-versa. You can submit both New Tampa & Wesley Chapel ballots without being DQed. 

We have upped the prizes for this year — the Grand Prize is now $200, plus prizes of $100 and $50, chosen at random from among all correctly-filled-out entries received by email or on our NeighborhoodNewsOnline.net website (Note-no U.S. Mail entries will be accepted for this year’s contest!) by Friday, October 18. 

Good luck! — GN

How Do You Spell ‘Champion?’ B-R-U-H-A-T!

(Photos from the Scripps National Spelling Bee and Associated Press Websites)

We first told you about Bruhat Soma — the New Tampa resident who won this year’s Scripps National Spelling Bee on May 30 — two years ago, when he was a 10-year-old fifth grader who missed attending the finals that year because he came down with Covid-19.

Bruhat, who then finished 74th at the 2023 Scripps Bee, not only won the title this year, he did so with what has to be considered the most amazing performance in the 96-year history of the Bee — even more incredible than it was controversial.

For only the second time ever (the only other time was in 2022), the final two contestants had to compete in a lightning-round tiebreaker known as a “spell-off,” where each contestant is given 90 seconds to correctly spell as many words as they can. Bruhat’s final round opponent — Faizan Zaki, a 12-year-old 6th grader from Allen, Texas — successfully spelled an impressive 20 words in 90 seconds, but Bruhat set a new spell-off record by spelling an other-worldly 29 words correctly in the same amount of time.

Although Bruhat told the Associated Press (AP) he was nervous about the spell-off, he calmly zipped through every word, from “abseil” (actually his last word of the spell-off) to “wenzel” by miming himself typing each word as he spelled it. If you haven’t yet watched his spell-off performance, you really should. AP’s article said he sounded more like an auctioneer than a speller.

As the champion, Bruhat receives a trophy and more than $50,000 in cash and prizes.

According to the AP, Bruhat said he “rehearsed the spell-off every day for six months. I was pretty confident that I had a chance at winning because I’ve been working so hard
and I really wanted to win. That’s why I practiced the spell-off so much.”

The AP story also said although there was no doubt Bruhat was a worthy champion, “the conclusion left many observers disappointed and confused.

“The finals began with eight spellers, the fewest since 2010,” the AP report said, “and it was clear that Scripps was trying to fill the 2-hour broadcast window on Ion, a network owned by the Cincinnati-based media company. Frequent, lengthy commercial breaks allowed spellers to mill about at the side of the stage, chatting with their coaches, relatives and supporters.

“And then, Bee officials announced it was time for the tiebreaker before Bruhat and Faizan were even given a chance to compete in a conventional round. The competition rules state that a spell-off is used in the interest of time, but Scripps still squeezed in another commercial break between the tiebreaker and the announcement of Bruhat’s victory.

“In the tiebreaker — which was used once before, when Harini Logan of Texas correctly spelled 21 words in 90 seconds in 2022 — “the winning word is the one that gives a speller one more correct word than their competitor.” Although it was actually his 29th correct word, not his 21st, Scripps said, “Bruhat’s winning word was ‘abseil,’ defined as “descent in mountaineering by means of a rope looped over a projection above.”

After the competition ended, and a clearly sad Faizan graciously shook his hand, Bruhat told the AP, “I always want to win. And this was, like, my main goal. I’m just really happy that I won this.”

Bruhat is the second straight champion from the Tampa Bay area, and his victory means 29 of the last 35 spelling champs have been Indian American.

He also is the second New Tampa resident to claim the title — former Benito Middle School eighth grader Nupur Lala was the first, after winning in 1999. Nupur’s journey to the crown inspired a new generation of spellers, after her triumph was featured in the documentary “Spellbound.” Now a neuro-oncologist, Nupur returned to the Bee this year for the first time in a decade.

Turner Bartels principal LaMarr Buggs said that Bruhat’s performance was “Unbelievable. I honestly was nervous about the spell-off because the other kid (Faizan) seemed faster during the regular rounds, but wow. Just wow! Everyone at the school is so proud that he is one of ours.”

Buggs also said that after Bruhat, who lives “within walking distance of the school in Live Oak Preserve,” is finished with a whirlwind media tour, including an appearance on “Jimmy Kimmell Live!” and other national talk shows, a “welcoming committee” from Turner Bartels plans to greet Bruhat and his family at Tampa International Airport upon their return.

Rehearsals For ‘If I Cry’ Just Part Of The Tampa City Dance Center Story 

Members of the Tampa City Ballet (TCB) company rehearse for their upcoming performances of “If I Cry” (see promotional poster below), which will be performed at the Straz Center for the Performing Arts in downtown Tampa May 4-5. The rehearsal was held at the Tampa City Dance Center in the Shoppes at Amberly in Tampa Palms. (Photos by Charmaine George)

It’s been a while since we last checked in with Paula Nuñez, the founder and artistic director of what previously had been known as America’s Ballet School (located since 2002 in the Shoppes at Amberly plaza in Tampa Palms). But, not only has Paula now merged with the Tampa City Ballet, she has changed the name of her ballet school, which is still at that location, to Tampa City Ballet School (TCBS). 

In addition, in January of this year, she opened a new studio adjacent to the ballet school called the Tampa City Dance Center (TCDC), in order to offer both children and adults the opportunity to explore a variety of dance disciplines. Although TCBS still focuses on classical ballet variations, pointe, repertoire and contemporary ballet, and has its own outstanding faculty, TCDC offers classes (and private lessons) in Acrobatic Dance (or “Acro”), Contemporary, Flamenco, Hip-Hop, Salsa, Tango and even “Mommy & Me” (for kids ages 1-4, with their parent or grandparent). 

Top right, l.-r.) Jayron Perez (who choreographed some of the ballet pieces in “If I Cry”), TCB founder & artistic director Paula Nunez and musician & composer Nick Ewing. 

“It is exciting to offer a dynamic dance program designed to provide a platform to explore creativity and discover new ways to move,” Paula says. “Dance is a fantastic way to release stress, gain confidence and help with concentration and balance. This program fosters a supportive and fun environment for all ages. It definitely creates a community.” 

Paula notes that, at the Tampa City Dance Center, her long-time friend and TCDC executive director Claudia Correa and her staff, “offer a captivating selection of classes to suit all ages and interests. Paula says that Claudia was not a dancer herself, but adds, “She shares my passion for the arts.” 

Each of the dance disciplines at TCDC are taught by different professional faculty members. The pointe/ballet instructor is Vashti Walters. The contemporary and jazz dance and choreography lessons are led by Shelby Russ, who earned her Bachelor of Fine Arts (BFA) degree from the University of South Florida (USF). Aynsleigh Morehouse, another USF BFA graduate, teaches stretching, tap, contemporary, pointe and the “Mommy & Me” classes. John Delgado teaches salsa and contemporary dance. 

More About Paula Nuñez 

Paula, who has many years of professional experience as a dancer and choreographer, is on the dance faculty at USF. She is a former principal company member of the International Ballet of Caracas (Venezuela), Ballet Nuevo Mundo and the Cleveland Ballet, San Jose. In 1992, she co-founded the well-known “Fundación Ballet de las Americas” now in residence at the Teresa Carreno Cultural Performing Arts Center in Caracas. 

In 2008, she established a nonprofit organization with the goal to provide scholarships to talented youths and to foster discipline in others who desire to dance. Some of these students are currently national and international dancers, educators and choreographers. 

(Above, l.-r.) Aynsleigh Morehouse, Maria Fernanda Papa & Shelby Russ rehearse for “If I Cry.” Aynsleigh & Shelby also teach at the Tampa City Dance Center. 

Paula also launched a community engagement program (in 2012) called “On Your Feet,” which has offered scholarships and high-quality dance education in collaboration with well-known organizations such as the University Area Community Development Corp. and their research-based prevention and diversion program for youths ages 5-18. 

Then, in 2018, she created Tampa City Ballet (TCB), a nonprofit professional contemporary dance company with an innovative repertoire that focuses on, and is invested in, connecting communities. TCB serves the community by providing high-quality arts education, to facilitate research and to create a space for dancers seeking professional experience. It also encourages interdisciplinary collaborations, while also offering unique, immersive and engaging experiences. 

Since 2022, Paula also has been part of the collective art space at the Historic Ybor City Kress Building in the new Gas Worx District. She says her mission is to create a collaborative model that integrates intergenerational and intercultural productions, demonstrating the alchemy that occurs between disciplines, creators and performers. 

Paula has made a significant impact on the cultural landscape of Tampa Bay. She has received numerous awards for her teaching, choreography and contributions to the arts in our area. She also has been nominated for the City of Tampa’s prestigious Hispanic Heritage Award. 

“If I Cry” — May 4-5 

Although many recent TCB performances have been and will continue to be held at the New Tampa Performing Arts Center, the ballet company recently used TCDC as a rehearsal space for its upcoming performances of “If I Cry,” which is described as “A surreal dance journey through the mind of renowned Mexican artist Frida Kahlo,” based on the artist’s personal diaries. Neighborhood News photographer Charmaine George attended that rehearsal, where she took the pictures on this page. 

The performances of “If I Cry” (see poster, below) will be held May 4-5, at the Straz Center for the Performing Arts in downtown Tampa. Tickets are available through the Straz Center Box Office. Call (813) 229-7827 or visit StrazCenter.org for tickets and more information. 

For more information about the Tampa City Dance Center or Tampa City Ballet School (both located at 15367 Amberly Dr.), call (813) 558- 0800, visit TCDanceCenter.com or TampaCityBallet.org.

The New Tampa PAC’s Truly Grand Unveiling! 

Free Concert On Apr. 5 Introduced The Community To The PAC’s New Steinway “Model D” Piano In Grand Fashion! 

Classical pianists Jane West and Grigorios Zamparas play the “Hungarian Dances for Piano Four- Hands No. 2 & No. 8” by Johannes Brahms on the Steinway & Sons “Model D” during the “Concert Grand” at the New Tampa Performing Arts Center on Apr. 5. (Photos by Charmaine George) 

When general manager Keith Arsenault took the job running the Hillsborough County-owned New Tampa Performing Arts Center (NTPAC) last year, he told members of the county’s staff that, “If this is really going to be a ‘real’ Performing Arts Center, then we need a real performing arts piano.” 

The PAC opened a little more than a year ago, but now, Arsenault finally has a truly grand piano that he believes will help fulfill the PAC’s destiny as a real performing arts center — a brand new Steinway & Sons “Model D” concert grand piano, also known as the flagship of this world-renowned and historic American brand. 

Only the Neighborhood News was on hand when the spectacular new piano was delivered and re-assembled on the NTPAC stage on Mar. 21 and we also attended the first-ever performance unveiling the new Steinway to the local community, which was held on Apr. 5 and was called the “Concert Grand” — and what a grand event it was! 

“When you’re making a substantial acquisition like this, you don’t just pick something out on eBay,” Keith said. 

So, Steinway & Sons graciously flew Keith, Steinway Tampa Bay (which has showroom locations in Clearwater and Tampa) vice president Jonathan Hunt and two “much better pianists” with them to the piano maker’s headquarters in Queens, NY. 

“We got a three-hour tour of the factory to see the amazing process of building these pianos,” Keith said. “And then, we were faced with a room with five of them — ostensibly identical Model D grand pianos — but each one with its own voice and personality.” 

They went up and down the line playing each piano and comparing them. 

“And then, finally,” Keith said, “someone sat down at the fifth one in the row and played a big fat chord and we all just kind of went, ‘Oooh, that’s the one.’ Not too long after that, the Steinway folks came out and put a ‘Selected’ tag on the piano, so that nobody else would get it.” 

He joked, “I knew I didn’t have to, but I even wrote down the serial number to make sure we got our piano.” 

Jonathan, who says he usually makes the trip to Queens “about three or four times a year,” said, “Steinway does a pre-delivery inspection, they disassemble and wrap the legs, wheels and foot pedals and pack it into a big box and deliver it to our factory. That takes about two weeks. We then have our own pre-delivery inspection and prep process. We put it back together, allow it to acclimate to the Florida weather, test the sound, and then disassemble and wrap and box it up again to get it ready for delivery.” 

Keith noted, “The whole process from Queens to final destination took a little less than the month we were told to expect it to take. And, throughout the process, we got blow-by-blow updates like, ‘The piano has left the factory,’ and so forth. It was basically like tracking it online as it made its trip. This was the first time I’ve had my hands directly involved in this process. It was very special.” 

A Truly Grand Concert Event! 
(Above, l.-r.) Pianists Grigorios Zamparas, Jane West, Svetozar Ivanov & Ghadeer Abaido, Keith Arsenault, Jonathan Hunt & pianists Simon Lasky & Pablo Arencibia after the Concert Grand performance on Apr. 5.

Speaking of special, “The Concert Grand event on Apr. 5 truly was just that. 

“We have six magnificent pianists performing tonight,” Keith said as he kicked off the Concert Grand festivities that evening, “these musicians range from classical to jazz to piano ‘four hands,’ where two of them play the piano at the same time.” 

It was a wonderful, free piano concert that filled nearly all of the 324 available seats at the NTPAC. It started with delicious, free food provided by Via Italia, the authentic Italian restaurant located in The Village at Hunter’s Lake plaza, which is in front of the PAC on Bruce B. Downs (BBD) Blvd. 

The food — which included tasty meatballs and sauce, plus bite-sized pieces of tender chicken parmigiana, bruschetta, a charcuterie selection and more — was sponsored by Steinway Tampa Bay. 

Keith also noted that neither the Straz Center for the Performing Arts in downtown Tampa, Ruth Eckerd Hall nor the Mahaffey Theater in downtown St. Petersburg has its own Steinway. “So this is a pretty big deal that Hillsborough County has made this amazing investment in the performing arts for us here.” 

Jonathan added, “I also just love this facility (NTPAC). As much as the Concert Grand event is about this piano, we just want people to know that the New Tampa Performing Arts Center is here and is a great asset to this community.” 

As to how he feels about the selection his group made, Keith said, “I couldn’t be happier. As Jonathan said, ‘This piano is a rocket ship’ and, given the acoustical nature of this room, and the fact that we will likely be using this piano as much for legitimate jazz events as for classical, it’s just the perfect piano for this space.” 

He also noted that the purchase of the Model D also included two Steinway uprights manufactured in Hamburg. Germany. 

Editor’s note — It was absolutely mesmerizing to see the Model D being taken out of its special box, with each of its legs and the beautiful, easy-rolling brass wheels separately wrapped, and then rolled on a dolly to, and then laid out on, the NTPAC stage. And then, to see Jonathan and his two assistants meticulously re-attach the legs and foot pedals to the 8’, 11-3/4” long behemoth and then turning the nearly 1,100-lb. piano upright before wiping it down to allow the high-gloss, ultra-black paint to emit its perfect, reflective glow was a sight I know I will never forget. But, to hear it played by such outstanding pianists was even more incredible. Bravo, Keith and Jonathan! 

For more information about the NTPAC (8550 Hunters Village Rd.) visit NewTampaArtsCenter.org. 

Theatre Beat — The Players’ First Year At NTPAC & Congrats, Kyle & Co.! 

The New Tampa Players received $10,000 from Social Venture Partners of Tampa Bay at the “Fast Pitch” competition for NTP’s Ampersand programming for special needs adults. (Photos provided by the New Tampa Players)

Since the New Tampa Performing Arts Center opened a year ago, the New Tampa Players (NTP) theatre troupe has been on the move. 

If you saw all the New Tampa Players’ shows so far this year, you’ve visited an enchanted castle in France, the hallways of Rydell High, the walls of Duloc, and cities across the USA on tour with the Dreams. (Did you spot all those shows? That was “Beauty and the Beast,” “Grease,” “Shrek,” and “Dreamgirls” — what an amazing year!) 

But wait, there’s still more: 

City of Tampa Awards NTP $75K For Penguin Project & Ampersand Theatre Programs 

Last month, the Tampa City Council approved a grant for $75,000 to enrich NTP’s Penguin Project and Ampersand Theatre programs. 

Penguin Project is a national theatre program for children and young adults with special needs. NTP started its chapter in 2018, making it the first such program in Florida. Each year, the Players produce a Penguin Project musical with 40-45 artists with special needs. 

In 2023, NTP spun off Ampersand Theatre, a new theatre troupe concept for adults with disabilities. The program began with a summer intensive serving 25 artists, and it continues this month with a special Penguin Project/Ampersand Theatre collaboration on “Joseph and the Amazing Technicolor Dreamcoat.” Rehearsals have been in progress for months, and the performances will be held the weekend of April 19-21. All of the artists and mentors (almost 100 performers altogether!) invite you to join them for a night of joy. 

Tickets for “Joseph” are available at NewTampaPlayers.org. 

NTP Wins 2nd Place at Social Venture Partners Of Tampa Bay “Fast Pitch” Competition 

The Ampersand artists won 2nd place in the 2024 Social Ventures Partners of Tampa Bay “Fast Pitch” Competition and will receive $10,000 for NTP’s Ampersand programming. The troupe competed against six other nonprofits in the Tampa Bay area, including WellFed Community, EmpowHERment, Girls Rock, the Florida Dream Center, NAMI Pinellas and Water Smart Tots Foundation. 

The Fast Pitch Competition program provides funding and strategic consulting to innovative nonprofits addressing critical issues in the Tampa Bay region. 

Auditions For “Singin’ In The Rain” 

NTP is hosting auditions for our summer musical: “Singin’ in the Rain.” The performances this summer will be at the New Tampa Performing Arts Center as usual, but if you come out for the auditions on April 27, April 29, April 30, and May 1, make sure you head for NTP’s blackbox theater and rehearsal space at University Mall —Uptown Stage. All New Tampa Players performers are local community members. 

Visit NewTampaPlayers.org or see the ad below for more information! 

Recapping Kyle Fisher’s “Ember” 

Fraud investigator by day and actor by night, New Tampa resident Kyle Fisher (who played Kenickie in NTP’s “Grease” and Lord Farquaad in NTP’s “Shrek: The Musical”) set out to answer the question “What is the cost of a wish?” His journey finding the answer to that question made its world premiere at Uptown Stage last month in “Ember: A New Musical.” 

The embers of Ember (no, I could not resist that pun!) began many years ago. Fisher can’t name a specific date he started working on the show apart from his habit of writing down any inspiration or line of music or dialog that comes to him. The first song to form was “Wish,” with the tagline “What do you wish for?” This song became the foundation for the rest of the musical, as it came together over nights of pizza and workshopping with choreographer Makayla Raines and actor Dylan Fidler, both of whom also have performed in multiple NTP shows. 

Ember is a spellbinding musical that explores the boundaries between dreams and damnation. In a world where the mundane meets the magical, farm boy ‘Guy’ yearns for adventure. When the enigmatic demon ‘Sequins’ offers to fulfill his deepest desires in exchange for his soul, Guy plunges headfirst into a Faustian bargain. The tale is a captivating journey of redemption and unexpected alliances. Can a demon, driven by ambition, rediscover forgotten compassion and love? Will Guy, armed with newfound powers and a heart full of hope, conquer the challenges laid before him? In “Ember,” the stakes are high, the magic is potent, and the battle for the soul takes center stage. 

Through the workshopping and production process, Fisher’s characters grow and evolve. The character that underwent the most transformation was Sammy, played by Ashleigh Dudek. 

“Between the first draft of the script and first performance of the show,” Fisher said, “Sammy gained a solo, a new feature, and a huge amount of screentime, and I’m so glad the character ended up where it did. Ashleigh is a super talented actor and vocalist and it would’ve been devastating to me to have her in any less.” 

What is next for Kyle Fisher and the cast of “Ember?” They are on all on a much-deserved, much-needed break. 

Fisher explained, “When I finally get back into it, the first thing (to work on) are edits. Although the show got a lot of praise, I think I can deliver an even better experience, and I’ve got a small army of people who are willing to help. From there, I think there are still one or two songs that deserve a spot in the show cooking up in my head, but we’ll see how it all shakes out with cutting the show down. I’d hate to spring a new song onto the cast before any potential cast album.” 

For behind the scenes footage and the latest news on “Ember” and Kyle, follow them on social media: Tiktok.com/discover/ember-musical, Facebook.com/people/Ember-A-New-Musical/61551728386782/ or Instagram.com/embermusical/Â