At New Tampa Performing Arts Center (8550 Hunters Village Rd.). Daniella Mass, “The Liri Pop Princess,” is a composer and young coloratura soprano from Colombia who was featured on “America’s Got Talent.” Tickets cost $15 for a theater seat, $20 for a table seat. To purchase tickets & get more info, call (813) 829-2760 or visit NewTampaArtsCenter.org/events.
At the New Tampa Performing Arts Center (8550 Hunters Village Rd.). Each year, performances of Pyotr Ilyich Tchaikovsky’s “The Nutcracker” ring in the holiday season as a long-held tradition celebrated around the world. In the Tampa Bay area, the Tampa City Ballet (TCB) brings together audiences of all ages and backgrounds to participate in this classic family event. For tickets (reserved seating costs $30-$50) & more info visit NewTampaArtsCenter.org/events.
The first time I saw “Little Shop of Horrors,” the campy, award-winning sci-fi/horror musical (based on an original 1960 film by “The King of Cult” Roger Corman) about a man-(and woman-) eating plant named Audrey II and the bumbling “Skid Row” flower shop employee who earns fame because of the voracious plant, I was sitting about eight rows back in the show’s original Off- Broadway Orpheum Theatre in the Little Ukraine section of Manhattan’s East Village in late 1982 or early 1983, only a few months after the show first opened to rave reviews.
Sitting directly in front of me were Liza Minelli, Sean Penn and Madonna. Yes, that famous trio (no one called them a “thruple”). We were all among the packed house of nearly 350 people who took in the spectacle of this flytrap-looking plant that grows from a pot on a counter to take up most of Mushnik’s Flower Shop — and plans to take over the entire world.
Four years later, “Little Shop” was made into a hit 1986 movie starring Rick Moranis, Ellen Greene (who also created the role of Audrey, the love interest of geeky Seymour Krelborn, who also loves “strange and interesting plants”), Steve Martin as Audrey’s sadistic boyfriend Orin Scrivello, DDS, and Vincent Gardenia as the failing flower shop owner, Mr. Mushnik.
Fast-forward nearly 40 more years and Jannah and I are sitting in a theatre almost as large as the Orpheum — the New Tampa Performing Arts Center — on what turned out to be opening night of the New Tampa Players (NTP)’ production of the show (Oct. 18), because the first weekend of performances got canceled following Hurricane Milton.
I have to admit that NTP’s “Little Shop” very much rang true to the original version I saw more than 40 years previous.
Yes, a show where four people are “eaten” by a giant plant is a little disturbing, but an outstanding cast performing great songs (with book and lyrics by Howard Ashman and music by Alan Menken, the same creative team behind Disney’s “The Little Mermaid,” “Beauty and the Beast” and “Aladdin”), great direction by NTP’s Thomas Pahl, musical direction by Rick Barclay and choreography by Makayla Raines, made NTP’s “Little Shop” an amazing tribute to that Off-Broadway original. (By the way, the Broadway revival production lasted only 372 performances between Oct. 2003 and Aug. 2004.)
NTP’s “Little Shop” opened with the title theme, sung by “the urchins” — (photo #1, l.- r.) Paige Alter as Crystal, Sara Gutierrez as Chiffon and Patty Smithey (who portrayed Lorrell Robinson in NTP’s “Dreamgirls”) as Ronette.
We then meet (photo #2, l.-r.) Mushnik (Luis Graham), who is threatening to close his flower shop on Skid Row because he can’t do any business, the oafish, love-sick Seymour (Richard Brown) and Audrey (Madison Pulica, who has the original cartoon-ish speaking voice and mannerisms of the role’s originator down to a “T”).
Seymour shows Mushnik the “strange and interesting plant” that he found following a recent total solar eclipse and says that maybe displaying the plant will bring in customers — which it immediately does.
But soon, when Seymour cuts himself on a rose thorn, the plant — which Seymour names the “Audrey II” after his unrequited beloved — first shows its thirst for blood, so Stanley squeezes a few more drops into its open maw (photo #3), after which, Audrey II first begins to grow. Meanwhile, Audrey continues to display the painful results of the “affections” of her dentist boyfriend Orin (portrayed with very much Steve Martin-esque vigor by Tom Bronson), and sings (photo #4) to the urchins about her dream to move to “Somewhere That’s Green.”
We (and Seymour) then meet Orin for the first time, after Orin sings “(“You’ll Be A) Dentist” to the urchins (photo #5). Seymour also sees Orin “rough up” Audrey for the first time and, realizing that he can’t continue to drain himself of his own blood for Audrey II, also wonders for the first time if maybe Orin should end up “providing” the blood for the now-much-larger plant.
Mushnik is now so impressed with Seymour (who is revealed early on to be an orphan), that he tells Seymour in the song “Mushnik & Son” (Photo #6) that he will re-name the now-much-more successful flower shop and adopt his now-star employee.
But next, we find out for the first time that Audrey II can talk — in the booming baritone of Christan McLaurine (at right in photo #9, who also was a scene-stealer as James “Thunder” Early in NTP’s “Dreamgirls”) in the song “Feed Me.”
Act I ends as Seymour brings a gun to his visit to Orin’s dental office, which is replete with rusty, medieval-style torture appliances. Orin can’t wait to ply his trade inside Seymour’s mouth, so much so that he gets his “special gas mask” (photo #7) — not to sedate Seymour, but so Orin can “enjoy” his work. Seymour now realizes he doesn’t have to shoot Orin, who can’t get the mask off and, without assistance from Seymour, asphyxiates and dies in the most authentic scene of the entire show.
With Orin now out of the way (and chopped into pieces by Seymour, so he can feed the dentist to Audrey II), it doesn’t take long for Audrey to realize that Seymour has always loved her and (she thinks) that he’s a good man who shares her dream of moving to the country, despite his newfound (and unwanted) fame, which comes with Life magazine and TV interviews. The duet between Audrey and Seymour — “Suddenly Seymour” is probably the most famous song in “Little Shop.”
But, of course, everything falls apart quickly from there. Seymour next sacrifices Mushnik, who discovered Orin’s bloody lab coat in the store’s garbage can, to Audrey II, even though Mushnik says he won’t tell the authorities, as Seymour still needs to feed the now-monster-sized plant (photo #8).
Next, Audrey, who reveals she was an exotic dancer before coming to Mushnik’s, sacrifices herself by having Seymour throw her into Audrey II’s mouth. Then, Seymour, who now realizes that Audrey II’s plan is to take over the world, also jumps into the plant’s maw. With all of the main characters now dead and plans to spread Audrey II seeds all over the country (as the plant planned all along), the show ends on a seriously ominous note.
Congrats to the Audrey II puppeteers (Joseph Conrad, at left in photo #9), Lily Sanford and Yoanivette Davila Aguiar, as well as to James Cass of Picture This Photography for the scenic art, scenic dressing and props, and Shelly Giles for the great costumes — and everyone else associated with the Players and this show. “Little Shop” was super-creepy but it was also super-fun!
For more info (including about ticket sales and audition info) about the 2025 New Tampa Players shows “Into the Woods” and “The Music Man,” visit NewTampaPlayers.org.
Just in case you missed the first annual Fall Festival at the New Tampa Performing Arts Center (NTPAC) last year, this exciting, four-day event is back for a second year this weekend, beginning tonight! Attendees will get to check out the many unique music, dance, art and other cultural programs all weekend long at NTPAC (8550 Hunters Village Rd., Tampa 33647) and, best of all, it’s all free to attend!
Here is a variety of the hundreds of photos we took at last year’s Fall Fest and this year’s weekend promises to be even bigger and better!
For the complete schedule of NTPAC Fall Festival events, visit NewTampaArtsCenter.org!
You may not know the name Stan Zimmerman, but if you’ve ever watched an episode of “The Golden Girls,” “Gilmore Girls” or “Roseanne,” you may already know his work.
But, whether you know his name or not, you owe it to yourself to check out Zimmerman’s original play, “right before I go,” in which he also acts as the narrator.
Zimmerman’s play about suicide notes will be performed at the New Tampa Performing Arts Center (NTPAC, 5850 Hunters Village Rd.) on Friday and Saturday, September 20-21, 7 p.m., by Powerstories, “a nonprofit professional theatre troupe whose mission is to stage true stories to open minds and hearts and inspire action worldwide.” Powerstories will “Celebrate the Power of the Arts” throughout the weekend, which also will include an art display, raffles, appetizers, staged reading, talkback, celebrity meet & greet and live music.
Zimmerman, who also has directed many plays, says “right before i go” itself is “only about an hour long” and that there will be a half-hour sit-down with a mental health professional following the performance. A portion of the ticket sales will be donated to the Crisis Center of Hillsborough. Also scheduled to be readers are chief meteorologist Denis Phillips and anchor Wendy Ryan of ABC Action News Tampa Bay.
“I feel that with this piece, the audience will need to talk about it afterwards,” Zimmerman says. “It’s really about starting a discussion. I’ve found that after the show, people want to talk about it with total strangers on the street or friends and family.”
Theatrical Rights Worldwide (TRW) had this to say about the play: “Stan Zimmerman brings to life the last words written in letters by individuals lost to suicide — including celebrities, veterans, kids that were bullied, LGBTQ and the clinically depressed — and those who have survived suicide attempts. Since its acclaimed first performance at the Hollywood Fringe Festival in 2015, the play has traveled across the country, raising awareness and offering hope for suicide prevention.”
Zimmerman, who says he was mercilessly bullied and regularly spit on in 7th, 8th and 9th grade, admits that he would go home and “visualize taking my own life” many times.
In an interview on YouTube, he said, “I don’t suffer from depression, but if I did, and had those feelings [of suicide], I honestly don’t know if I’d be here today.”
But then, in 2012, “I was one of a couple of people who received a suicide note from a very good friend of mine named Kevin, who took his own life. I started Googling ‘suicide notes’ and had an idea to use my craft to put what I found into a play, with actors reading the suicide notes in order to help raise awareness and prevention for suicide.”
With his career predominantly as a comedy writer, Zimmerman says he really scoured the internet in order to try to find a “funny” suicide note, “but what I found is that there really wasn’t one. Some of them were lighter, and that some people will laugh or giggle, but that may be nervous laughter. But, this is a very important moment in anyone’s life when they decide to do this.”
He says that when the play was first performed at the Fringe Festival, “the tendency for the actors was to play the result, you know, where this was going. And I had to remind them that there’s an urgency to these notes. These people that wrote these notes needed to get this out [because] they weren’t being heard and they had to tell people what they felt inside. And I think that’s why they’re all so powerful.” The subtitle of “right before i go” is “Destigmatizing Suicide.”
As for how he approached writing “right before i go,” Zimmerman says, “I wanted this to be sort of like ‘The Vagina Monologues,’ in that it would be something that would be easily performed and wouldn’t take a lot of rehearsal, so theatre companies, when they did this piece, they could rehearse it for a couple of hours or a couple of days and interpret it any way they wanted.”
He also says that it just came to him “how the structure needed to be and how to group the notes to tell the story.”
Meanwhile, Zimmerman says that although he has made a career of writing, his first love was acting, and he started his career in the theatre program at New York University.
And, even though he didn’t originally intend to be the play’s narrator, “When I did the first table read in my living room with friends of mine, a lot of them said, ‘You’re a writer, you need to put yourself in this piece.’ That’s when I started writing a lot more in between. And, they said they wanted hope, so that’s when I started putting a lot of stuff about hope at the end.”
Although Zimmerman and his long-time writing partner James Berg were never the head writers on “The Golden Girls,” “Gilmore Girls” or “Roseanne,” the Zimmerman/Berg team did write multiple episodes for all three and were able to capitalize on those successes (and others) with many other writing credits.
In addition, while they also didn’t receive writing credits for the original script of “The Brady Bunch Movie” (and weren’t happy about it), the team was hired by the film’s director Betty Thomas to do rewrites of the original script, and the movie became a hit. Zimmerman and Berg would then get full writing credits for “A Very Brady Sequel,” which also became a hit in 1996.
And, while none of the other TV series the pair wrote for — including the TV adaptation of the hit movie “Fame,” as well as “Just Our Luck,” “Pauly” and “Rita Rocks,” to name just a few — became monster hits, they also were hired as “term writers” for other series, most notably “The Nanny.”
Their work won the team two Writers Guild of America award nominations — for the “Rose’s Mother” episode of “The Golden Girls” and the infamous “Lesbian Kiss” episode of “Roseanne.”
Zimmerman and Berg also were the writers for “Ladies of the ‘80s: A Divas Christmas,” a 2023 TV Christmas comedy starring some of the most famous TV divas of the ‘80s — Loni Anderson (“WKRP in Cincinnati”), Morgan Fairchild (“Flamingo Road” and “Falcon’s Crest”), Linda Gray (“Dallas”), Donna Mills (“Knots Landing”) and Nicollette Sheridan (also “Knots Landing” and later, “Desperate Housewives”).
Also last year, Indian River Publishing (an independent book publishing company distributed by Simon & Schuster) published Zimmerman’s book The Girls: from Golden to Gilmore, subtitled “Stories about all the wonderful women I’ve worked with…” (Note-He says that the words that come after the ellipsis are “and Roseanne,” although the book cover doesn’t say it.)
The book tells Zimmerman’s true story as a TV and film writer and yes, all of the wonderful women he and Berg worked with together. I’ve read several chapters of my copy, which I will ask Stan to autograph when I meet him next month. It’s a great read.
Editor’s note — Although I also interviewed him on the phone, most of the direct quotes in this article came from the YouTube video “Playwright Stan Zimmerman Discusses Right Before I Go.” And, the information about his early life and career came from The Girls.
For tickets ($40-$100) to the performances of “right before i go,” visit bit.ly/NNCelebration or Powerstories.com.