Get Your Tickets Now To See “Into The Woods” At NTPAC!

By Nora Paine Producing Artistic Director New Tampa Players

On Mar. 28, the New Tampa Players (NTP) theatre troupe once again took the stage at the New Tampa Performing Arts Center. This time, NTP is presenting Stephen Sondheim’s beloved musical “Into The Woods,” which intertwines classic fairy tales with deeper themes of human desires and consequences, is taking center stage in a new production that is sure to enchant local audiences. Nominated for ten Tony Awards (winning three) in 1988, this Sondheim masterpiece has been praised for its complex characters, beautiful score, and profound narrative. 

Directed by Karissa Barber, the NTP production is showcasing the talents of local actors, a live orchestra led by musical director, G. Frank Meekins, and more than a dozen unseen costumers, designers, painters, builders and crew members, all working together to bring this timeless story to life. 

Set in a fantastical world where characters from different fairy tales — such as Cinderella, Jack (of Beanstalk fame), Little Red Riding Hood and Rapunzel — reside in the same village and cross paths in the mysterious forest, “Into the Woods” explores themes of wish fulfillment, moral choices and the unexpected consequences of pursuing one’s desires. The show’s rich score, which includes songs like “No One Is Alone” and “Children Will Listen,” is widely considered one of Sondheim’s greatest achievements. 

The production’s leads, Richard Brown and Hope Lelekacs, are taking on the roles of the Baker and the Baker’s Wife. These two characters are central to the story, embarking on a quest to find ingredients for a potion that will lift a curse placed upon their family. Their journey through the woods is filled with challenges, but it also brings them closer together as a couple and forces them to confront the deeper questions about their lives and wishes. 

“I see the Baker as someone who is stepping out of his comfort zone and putting all of his family’s burdens on his shoulders,” says Brown, who most recently was seen as Seymour in NTP’s fall production “Little Shop of Horrors.” “[The Baker] has no idea what he’s doing but he’s doing it anyway because he feels he has to. So, although he can be funny, I think the sincerity and vulnerability of someone who desperately wants a family should also be there.” 

Lelekacs, a recent graduate of the University of Tampa, is excited about playing the Baker’s Wife, a dream of hers since she saw Brianna Filippelli play her on the New Tampa Players’ stage in 2016. 

“The Baker’s Wife is complex and hopeful,” Lelekacs says. “The driving force in her relationship is balancing love and longing with a contagious belief that life holds more than just routine and work. I admire how she stays practical and grounded, yet isn’t afraid to take risks.” 

Theatergoers can expect a truly community-driven performance, with all of the cast members and production team hailing from Hillsborough County and surrounding areas. The show has been months in the making, with rehearsals beginning in early January and production design and staging evolving throughout February. 

If you’re looking for a magical evening filled with laughter, tears, and unforgettable music, “Into the Woods” promises to be the perfect outing. It’s a chance to experience the magic of theater while supporting local talent, and the cast and crew of your not-for-profit community theater, the New Tampa Players. 

“Into the Woods” will be performed Friday-Sunday, March 28-30, and April 4-6, at NTPAC (8550 Hunters Village Dr., New Tampa). For more info or to purchase tickets online, please visit NewTampaPlayers.org. 

‘Little Shop Of Horrors’ Was A Horrifying Triumph For The New Tampa Players! 

The first time I saw “Little Shop of Horrors,” the campy, award-winning sci-fi/horror musical (based on an original 1960 film by “The King of Cult” Roger Corman) about a man-(and woman-) eating plant named Audrey II and the bumbling “Skid Row” flower shop employee who earns fame because of the voracious plant, I was sitting about eight rows back in the show’s original Off- Broadway Orpheum Theatre in the Little Ukraine section of Manhattan’s East Village in late 1982 or early 1983, only a few months after the show first opened to rave reviews. 

Sitting directly in front of me were Liza Minelli, Sean Penn and Madonna. Yes, that famous trio (no one called them a “thruple”). We were all among the packed house of nearly 350 people who took in the spectacle of this flytrap-looking plant that grows from a pot on a counter to take up most of Mushnik’s Flower Shop — and plans to take over the entire world. 

Four years later, “Little Shop” was made into a hit 1986 movie starring Rick Moranis, Ellen Greene (who also created the role of Audrey, the love interest of geeky Seymour Krelborn, who also loves “strange and interesting plants”), Steve Martin as Audrey’s sadistic boyfriend Orin Scrivello, DDS, and Vincent Gardenia as the failing flower shop owner, Mr. Mushnik. 

Fast-forward nearly 40 more years and Jannah and I are sitting in a theatre almost as large as the Orpheum — the New Tampa Performing Arts Center — on what turned out to be opening night of the New Tampa Players (NTP)’ production of the show (Oct. 18), because the first weekend of performances got canceled following Hurricane Milton. 

I have to admit that NTP’s “Little Shop” very much rang true to the original version I saw more than 40 years previous. 

Yes, a show where four people are “eaten” by a giant plant is a little disturbing, but an outstanding cast performing great songs (with book and lyrics by Howard Ashman and music by Alan Menken, the same creative team behind Disney’s “The Little Mermaid,” “Beauty and the Beast” and “Aladdin”), great direction by NTP’s Thomas Pahl, musical direction by Rick Barclay and choreography by Makayla Raines, made NTP’s “Little Shop” an amazing tribute to that Off-Broadway original. (By the way, the Broadway revival production lasted only 372 performances between Oct. 2003 and Aug. 2004.) 

And Away We Go! 

NTP’s “Little Shop” opened with the title theme, sung by “the urchins” — (photo #1, l.- r.) Paige Alter as Crystal, Sara Gutierrez as Chiffon and Patty Smithey (who portrayed Lorrell Robinson in NTP’s “Dreamgirls”) as Ronette. 

We then meet (photo #2, l.-r.) Mushnik (Luis Graham), who is threatening to close his flower shop on Skid Row because he can’t do any business, the oafish, love-sick Seymour (Richard Brown) and Audrey (Madison Pulica, who has the original cartoon-ish speaking voice and mannerisms of the role’s originator down to a “T”). 

Seymour shows Mushnik the “strange and interesting plant” that he found following a recent total solar eclipse and says that maybe displaying the plant will bring in customers — which it immediately does. 

But soon, when Seymour cuts himself on a rose thorn, the plant — which Seymour names the “Audrey II” after his unrequited beloved — first shows its thirst for blood, so Stanley squeezes a few more drops into its open maw (photo #3), after which, Audrey II first begins to grow. Meanwhile, Audrey continues to display the painful results of the “affections” of her dentist boyfriend Orin (portrayed with very much Steve Martin-esque vigor by Tom Bronson), and sings (photo #4) to the urchins about her dream to move to “Somewhere That’s Green.” 

We (and Seymour) then meet Orin for the first time, after Orin sings “(“You’ll Be A) Dentist” to the urchins (photo #5). Seymour also sees Orin “rough up” Audrey for the first time and, realizing that he can’t continue to drain himself of his own blood for Audrey II, also wonders for the first time if maybe Orin should end up “providing” the blood for the now-much-larger plant. 

Mushnik is now so impressed with Seymour (who is revealed early on to be an orphan), that he tells Seymour in the song “Mushnik & Son” (Photo #6) that he will re-name the now-much-more successful flower shop and adopt his now-star employee. 

But next, we find out for the first time that Audrey II can talk — in the booming baritone of Christan McLaurine (at right in photo #9, who also was a scene-stealer as James “Thunder” Early in NTP’s “Dreamgirls”) in the song “Feed Me.” 

Act I ends as Seymour brings a gun to his visit to Orin’s dental office, which is replete with rusty, medieval-style torture appliances. Orin can’t wait to ply his trade inside Seymour’s mouth, so much so that he gets his “special gas mask” (photo #7) — not to sedate Seymour, but so Orin can “enjoy” his work. Seymour now realizes he doesn’t have to shoot Orin, who can’t get the mask off and, without assistance from Seymour, asphyxiates and dies in the most authentic scene of the entire show. 

Act II – “Suddenly, Seymour!” 

With Orin now out of the way (and chopped into pieces by Seymour, so he can feed the dentist to Audrey II), it doesn’t take long for Audrey to realize that Seymour has always loved her and (she thinks) that he’s a good man who shares her dream of moving to the country, despite his newfound (and unwanted) fame, which comes with Life magazine and TV interviews. The duet between Audrey and Seymour — “Suddenly Seymour” is probably the most famous song in “Little Shop.” 

But, of course, everything falls apart quickly from there. Seymour next sacrifices Mushnik, who discovered Orin’s bloody lab coat in the store’s garbage can, to Audrey II, even though Mushnik says he won’t tell the authorities, as Seymour still needs to feed the now-monster-sized plant (photo #8). 

Next, Audrey, who reveals she was an exotic dancer before coming to Mushnik’s, sacrifices herself by having Seymour throw her into Audrey II’s mouth. Then, Seymour, who now realizes that Audrey II’s plan is to take over the world, also jumps into the plant’s maw. With all of the main characters now dead and plans to spread Audrey II seeds all over the country (as the plant planned all along), the show ends on a seriously ominous note. 

Congrats to the Audrey II puppeteers (Joseph Conrad, at left in photo #9), Lily Sanford and Yoanivette Davila Aguiar, as well as to James Cass of Picture This Photography for the scenic art, scenic dressing and props, and Shelly Giles for the great costumes — and everyone else associated with the Players and this show. “Little Shop” was super-creepy but it was also super-fun! 

For more info (including about ticket sales and audition info) about the 2025 New Tampa Players shows “Into the Woods” and “The Music Man,” visit NewTampaPlayers.org. 

“Singin’ in the Rain” Is Another Hit For The Players!

I don’t know if I’d agree that it is (as some have called it) the “Greatest Musical of All Time,” but I do know that the New Tampa Players’ production of “Singin’ in the Rain” at the New Tampa Performing Arts Center (NTPAC) offers a super-fun evening (or afternoon) of entertainment!

The Neighborhood News was on hand for last night’s opening night of “Singin'” and there’s no doubt that the talented cast and crew of NTP’s production of the show — which originally was one of the first great movie musicals starring Gene Kelly, Debbie Reynolds, Donald O’Connor and Jean Hagen — do justice to this story of two Hollywood stars trying to transition from silent films to “talkies.”

With great singing and dancing by Kyle Billington in Kelly’s role as Don Lockwood, Olivia Carr in the Reynolds role of talented starlet Kathy Selden, Rhett Ricardo as Lockwood’s best friend Cosmo Brown (the role made famous by O’Connor), and the scene-stealing Melanie Bierweiler absolutely nailing the Oscar-nominated Hagen role as Lina Lamont —  the silent film star who can’t sing or dance — and an outstanding ensemble cast, 12-piece orchestra (a record for the Players) and crew, “Singin’ in the Rain” gives you plenty of value for your entertainment dollar. NTP producing artistic director Nora Paine directs and fellow Players veterans G. Frank Meekins (musical director) and Sarah Walston Pilllips (choreographer) deliver a toe-tapping, tap-dancing, rollicking good time. 

The title song, of course, is a timeless classic, but we also loved Ricardo’s “Make ‘Em Laugh,” Kyle and Olivia’s “You Were Meant for Me,” NTP vet Kyle Fisher singing “Beautiful Girls,” Olivia’s turn on “Good Morning” and the full company’s take on both “Broadway Melody” and the reprise of “Singin’ in the Rain” that closes the show.  

If you haven’t yet bought your tickets, there were seats still available for all of the following performances:

Tonight at 8 p.m.

Tomorrow (Sunday, July 20) at 3 p.m. (only a couple of single seats left)

Friday-Saturday, July 26-27, at. 8 p.m.

Saturday, July 27, at 3 p.m.

Sunday, July 28, at 3 p.m.

Visit NewTampaPlayers.org to get yours or visit the NTPAC box office at 8550 Hunters Village Rd., Tampa 33647!

New Tampa Players Present ‘Singin’ In The Rain’ At The NTPAC July 19-21 & 26-28! 

Melanie Bierweiler plays Lina Lamont and Kyle Billington is Don Lockwood in the New Tampa Players’ production of “Singin’ in the Rain,” which has six performances the weekend of July 19-21 and July 26- 28 at the New Tampa Performing Arts Center. (Photo courtesy of New Tampa Players) 

As someone who previously performed a tiny part in a New Tampa Players (NTP) production, I can only tell you how much hard work it took to make community theater look and sound as good as it does when it finally hits the stage. 

What I can’t tell you is how much hard work it takes to blend together more than 30 cast members — some of whom sing only, others who dance only and still others who do both — and how to make it all come together seamlessly on stage after only a few weeks of rehearsals. 

But, based on my experience performing in NTP’s production of “Grease” — the first Players performance held at the New Tampa Performing Arts Center (NTPAC) off Bruce B. Downs (BBD) Blvd. last summer — I have no doubt that director (and NTP producing artistic director) Nora Paine, musical director Frank Meekins and choreographer Sarah Walston will make it happen when NTP presents the classic musical “Singin’ in the Rain” at the NTPAC for two consecutive weekends — July 19-21 and 26-28. 

Although Meekins was both director and musical director for “Grease,” Paine was the producer and stage manager for that show and Walston was the choreographer. In other words, the trio is comfortable working together, “and we all had an interest in working on ‘Singin’ in the Rain’ together,” Meekins says. “So, it all just kind of worked out. Although the tap dancing definitely makes it more challenging, we’re all very excited about this show.” 

According to Wikipedia, “‘Singin’ in the Rain’ is a stage musical with story by Betty Comden and Adolph Green, lyrics by Arthur Freed and music by Nacio Herb Brown. Adapted from the 1952 movie of the same name, starring Gene Kelly (and directed and choreographed by Kelly and Stanley Donen), the stage musical’s plot closely adheres to the original film.” 

Set in Hollywood in the waning days of the silent screen era, “Singin’” focuses on romantic lead Don Lockwood (played by Kyle Billington), his sidekick Cosmo Brown (Rhett Ricardo), aspiring actress Kathy Selden (Olivia Carr, who played Sandy in “Grease”), and Lockwood’s leading lady Lina Lamont (Melanie Bierweiler), “whose less-than-dulcet vocal tones make her an unlikely candidate for stardom in talking pictures,” again, according to the “Singin’” entry in Wikipedia. 

The stage show had its world premiere in 1983 at the London Palladium, where it ran for more than two years, and has spawned a Broadway production and many stagings worldwide. It has been called, “The greatest movie musical of all time.” 

According to NTP’s NewTampaPlayers.org website, “Each unforgettable scene, song and dance is accounted for, including the show-stopping title number, complete with an onstage rainstorm! Hilarious situations, snappy dialogue and a hit-parade score of Hollywood standards make ‘Singin’ in the Rain’ the perfect entertainment for any fan of the golden age of movie musicals.” 


All of the photos on these pages were taken during rehearsals for the New Tampa Players production of “Singin’ in the Rain,” which will have six performances at the New Tampa Performing Arts Center over two weekends — July 19-21 & July 26-28. (Photos by Charmaine George & Gary Nager)

Meekins says that in addition to the title number — “And yes, it will be raining,” he says — many of the songs are well-known, memorable and can be considered “show stoppers,” including “You Are My Lucky Star,” “Would You” and especially “Broadway Rhythm.” 

“The title song is actually performed twice — once by Don Lockwood at the end of the first act and the second time by the entire cast (at the close of Act 2), all of whom who will be singing and dancing together in the rain,” Meekins says. “I 

know it will be amazing to see this cast come together for that finale. All of the cast members have different levels of experience, but I have no doubt that it will all come together.” 

Get your tickets now for “Singin’ in the Rain” at the New Tampa Performing Arts Center (8550 Hunters Village Rd., off Bruce B. Downs Blvd.). The show (presented through the generous support of Hillsborough County and Florida Arts and Culture and with special arrangement through Music Theatre International) will be performed Fri.-Sat., July 19-20 and July 26-27, at 8 p.m., and at 3 p.m. on Sun., July 21 & 28. Tickets cost $21-$35 and are available at NewTampaPlayers.org. 

For more information, call (813) 543-6252 or see the ad below. 

Theatre Beat — The Players’ First Year At NTPAC & Congrats, Kyle & Co.! 

The New Tampa Players received $10,000 from Social Venture Partners of Tampa Bay at the “Fast Pitch” competition for NTP’s Ampersand programming for special needs adults. (Photos provided by the New Tampa Players)

Since the New Tampa Performing Arts Center opened a year ago, the New Tampa Players (NTP) theatre troupe has been on the move. 

If you saw all the New Tampa Players’ shows so far this year, you’ve visited an enchanted castle in France, the hallways of Rydell High, the walls of Duloc, and cities across the USA on tour with the Dreams. (Did you spot all those shows? That was “Beauty and the Beast,” “Grease,” “Shrek,” and “Dreamgirls” — what an amazing year!) 

But wait, there’s still more: 

City of Tampa Awards NTP $75K For Penguin Project & Ampersand Theatre Programs 

Last month, the Tampa City Council approved a grant for $75,000 to enrich NTP’s Penguin Project and Ampersand Theatre programs. 

Penguin Project is a national theatre program for children and young adults with special needs. NTP started its chapter in 2018, making it the first such program in Florida. Each year, the Players produce a Penguin Project musical with 40-45 artists with special needs. 

In 2023, NTP spun off Ampersand Theatre, a new theatre troupe concept for adults with disabilities. The program began with a summer intensive serving 25 artists, and it continues this month with a special Penguin Project/Ampersand Theatre collaboration on “Joseph and the Amazing Technicolor Dreamcoat.” Rehearsals have been in progress for months, and the performances will be held the weekend of April 19-21. All of the artists and mentors (almost 100 performers altogether!) invite you to join them for a night of joy. 

Tickets for “Joseph” are available at NewTampaPlayers.org. 

NTP Wins 2nd Place at Social Venture Partners Of Tampa Bay “Fast Pitch” Competition 

The Ampersand artists won 2nd place in the 2024 Social Ventures Partners of Tampa Bay “Fast Pitch” Competition and will receive $10,000 for NTP’s Ampersand programming. The troupe competed against six other nonprofits in the Tampa Bay area, including WellFed Community, EmpowHERment, Girls Rock, the Florida Dream Center, NAMI Pinellas and Water Smart Tots Foundation. 

The Fast Pitch Competition program provides funding and strategic consulting to innovative nonprofits addressing critical issues in the Tampa Bay region. 

Auditions For “Singin’ In The Rain” 

NTP is hosting auditions for our summer musical: “Singin’ in the Rain.” The performances this summer will be at the New Tampa Performing Arts Center as usual, but if you come out for the auditions on April 27, April 29, April 30, and May 1, make sure you head for NTP’s blackbox theater and rehearsal space at University Mall —Uptown Stage. All New Tampa Players performers are local community members. 

Visit NewTampaPlayers.org or see the ad below for more information! 

Recapping Kyle Fisher’s “Ember” 

Fraud investigator by day and actor by night, New Tampa resident Kyle Fisher (who played Kenickie in NTP’s “Grease” and Lord Farquaad in NTP’s “Shrek: The Musical”) set out to answer the question “What is the cost of a wish?” His journey finding the answer to that question made its world premiere at Uptown Stage last month in “Ember: A New Musical.” 

The embers of Ember (no, I could not resist that pun!) began many years ago. Fisher can’t name a specific date he started working on the show apart from his habit of writing down any inspiration or line of music or dialog that comes to him. The first song to form was “Wish,” with the tagline “What do you wish for?” This song became the foundation for the rest of the musical, as it came together over nights of pizza and workshopping with choreographer Makayla Raines and actor Dylan Fidler, both of whom also have performed in multiple NTP shows. 

Ember is a spellbinding musical that explores the boundaries between dreams and damnation. In a world where the mundane meets the magical, farm boy ‘Guy’ yearns for adventure. When the enigmatic demon ‘Sequins’ offers to fulfill his deepest desires in exchange for his soul, Guy plunges headfirst into a Faustian bargain. The tale is a captivating journey of redemption and unexpected alliances. Can a demon, driven by ambition, rediscover forgotten compassion and love? Will Guy, armed with newfound powers and a heart full of hope, conquer the challenges laid before him? In “Ember,” the stakes are high, the magic is potent, and the battle for the soul takes center stage. 

Through the workshopping and production process, Fisher’s characters grow and evolve. The character that underwent the most transformation was Sammy, played by Ashleigh Dudek. 

“Between the first draft of the script and first performance of the show,” Fisher said, “Sammy gained a solo, a new feature, and a huge amount of screentime, and I’m so glad the character ended up where it did. Ashleigh is a super talented actor and vocalist and it would’ve been devastating to me to have her in any less.” 

What is next for Kyle Fisher and the cast of “Ember?” They are on all on a much-deserved, much-needed break. 

Fisher explained, “When I finally get back into it, the first thing (to work on) are edits. Although the show got a lot of praise, I think I can deliver an even better experience, and I’ve got a small army of people who are willing to help. From there, I think there are still one or two songs that deserve a spot in the show cooking up in my head, but we’ll see how it all shakes out with cutting the show down. I’d hate to spring a new song onto the cast before any potential cast album.” 

For behind the scenes footage and the latest news on “Ember” and Kyle, follow them on social media: Tiktok.com/discover/ember-musical, Facebook.com/people/Ember-A-New-Musical/61551728386782/ or Instagram.com/embermusical/Â