If you love a great Broadway musical, there are only four performances left this weekend to see the New Tampa Players (NTP)’s production of the Tony Award-winning Stephen Sondheim musical “Into the Woods.” Starring the outstanding Richard Brown (last seen as Seymour in NTP’s “Little Shop of Horrors”) as The Baker and amazing NTP newcomer Hope Lelekacs as The Baker’s Wife, NTP’s “Into the Woods” also re-introduces you to a whole slew of beloved fairy tale characters, including Cinderella (Genesis Rodriguez) and her stepmother (Kayla Bennett), Jack (Blake Boles), known for his magic beanstalk beans, scene-stealer Lena Wigfall as Little Red Ridinghood, plus NTP veterans Makayla Raines as “Witch,” Dylan Fidler as Rapunzel’s Prince, Kristin Nelson and Alexandra Greenberg as Cinderella’s stepsisters Florinda and Lucinda, respectively, and too many more great performances to include here (sorry).
Photographer Charmaine George, who took these pictures during last weekend’s opening night, says “Into the Woods” is one of NTP’s best shows, with singing, dancing, costumes and sets that are all “spot on!” Don’t miss it!
Tickets are still available to to all four performances of “Into the Woods” this weekend ā Friday, April 4, at 8 p.m., Saturday, April 5, at 3 p.m. and 8 p.m. and Sunday, April 6, at 3 p.m. For tickets and more information, visit NewTampaPlayers.org.
The first time I saw āLittle Shop of Horrors,ā the campy, award-winning sci-fi/horror musical (based on an original 1960 film by āThe King of Cultā Roger Corman) about a man-(and woman-) eating plant named Audrey II and the bumbling āSkid Rowā flower shop employee who earns fame because of the voracious plant, I was sitting about eight rows back in the showās original Off- Broadway Orpheum Theatre in the Little Ukraine section of Manhattanās East Village in late 1982 or early 1983, only a few months after the show first opened to rave reviews.
Sitting directly in front of me were Liza Minelli, Sean Penn and Madonna. Yes, that famous trio (no one called them a āthrupleā). We were all among the packed house of nearly 350 people who took in the spectacle of this flytrap-looking plant that grows from a pot on a counter to take up most of Mushnikās Flower Shop ā and plans to take over the entire world.
Four years later, āLittle Shopā was made into a hit 1986 movie starring Rick Moranis, Ellen Greene (who also created the role of Audrey, the love interest of geeky Seymour Krelborn, who also loves āstrange and interesting plantsā), Steve Martin as Audreyās sadistic boyfriend Orin Scrivello, DDS, and Vincent Gardenia as the failing flower shop owner, Mr. Mushnik.
Fast-forward nearly 40 more years and Jannah and I are sitting in a theatre almost as large as the Orpheum ā the New Tampa Performing Arts Center ā on what turned out to be opening night of the New Tampa Players (NTP)ā production of the show (Oct. 18), because the first weekend of performances got canceled following Hurricane Milton.
I have to admit that NTPās āLittle Shopā very much rang true to the original version I saw more than 40 years previous.
Yes, a show where four people are āeatenā by a giant plant is a little disturbing, but an outstanding cast performing great songs (with book and lyrics by Howard Ashman and music by Alan Menken, the same creative team behind Disneyās āThe Little Mermaid,ā āBeauty and the Beastā and āAladdinā), great direction by NTPās Thomas Pahl, musical direction by Rick Barclay and choreography by Makayla Raines, made NTPās āLittle Shopā an amazing tribute to that Off-Broadway original. (By the way, the Broadway revival production lasted only 372 performances between Oct. 2003 and Aug. 2004.)
And Away We Go!
NTPās āLittle Shopā opened with the title theme, sung by āthe urchinsā ā (photo #1, l.- r.) Paige Alter as Crystal, Sara Gutierrez as Chiffon and Patty Smithey (who portrayed Lorrell Robinson in NTPās āDreamgirlsā) as Ronette.
We then meet (photo #2, l.-r.) Mushnik (Luis Graham), who is threatening to close his flower shop on Skid Row because he canāt do any business, the oafish, love-sick Seymour (Richard Brown) and Audrey (Madison Pulica, who has the original cartoon-ish speaking voice and mannerisms of the roleās originator down to a āTā).
Seymour shows Mushnik the āstrange and interesting plantā that he found following a recent total solar eclipse and says that maybe displaying the plant will bring in customers ā which it immediately does.
But soon, when Seymour cuts himself on a rose thorn, the plant ā which Seymour names the āAudrey IIā after his unrequited beloved ā first shows its thirst for blood, so Stanley squeezes a few more drops into its open maw (photo #3), after which, Audrey II first begins to grow. Meanwhile, Audrey continues to display the painful results of the āaffectionsā of her dentist boyfriend Orin (portrayed with very much Steve Martin-esque vigor by Tom Bronson), and sings (photo #4) to the urchins about her dream to move to āSomewhere Thatās Green.ā
We (and Seymour) then meet Orin for the first time, after Orin sings ā(āYouāll Be A) Dentistā to the urchins (photo #5). Seymour also sees Orin ārough upā Audrey for the first time and, realizing that he canāt continue to drain himself of his own blood for Audrey II, also wonders for the first time if maybe Orin should end up āprovidingā the blood for the now-much-larger plant.
Mushnik is now so impressed with Seymour (who is revealed early on to be an orphan), that he tells Seymour in the song āMushnik & Sonā (Photo #6) that he will re-name the now-much-more successful flower shop and adopt his now-star employee.
But next, we find out for the first time that Audrey II can talk ā in the booming baritone of Christan McLaurine (at right in photo #9, who also was a scene-stealer as James āThunderā Early in NTPās āDreamgirlsā) in the song āFeed Me.ā
Act I ends as Seymour brings a gun to his visit to Orinās dental office, which is replete with rusty, medieval-style torture appliances. Orin canāt wait to ply his trade inside Seymourās mouth, so much so that he gets his āspecial gas maskā (photo #7) ā not to sedate Seymour, but so Orin can āenjoyā his work. SeymourĀ now realizes he doesnāt have to shoot Orin, who canāt get the mask off and, without assistance from Seymour, asphyxiates and dies in the most authentic scene of the entire show.Ā
Act II – āSuddenly, Seymour!ā
With Orin now out of the way (and chopped into pieces by Seymour, so he can feed the dentist to Audrey II), it doesnāt take long for Audrey to realize that Seymour has always loved her and (she thinks) that heās a good man who shares her dream of moving to the country, despite his newfound (and unwanted) fame, which comes with Life magazine and TV interviews. The duet between Audrey and Seymour ā āSuddenly Seymourā is probably the most famous song in āLittle Shop.ā
But, of course, everything falls apart quickly from there. Seymour next sacrifices Mushnik, who discovered Orinās bloody lab coat in the storeās garbage can, to Audrey II, even though Mushnik says he wonāt tell the authorities, as Seymour still needs to feed the now-monster-sized plant (photo #8).
Next, Audrey, who reveals she was an exotic dancer before coming to Mushnikās, sacrifices herself by having Seymour throw her into Audrey IIās mouth. Then, Seymour, who now realizes that Audrey IIās plan is to take over the world, also jumps into the plantās maw. With all of the main characters now dead and plans to spread Audrey II seeds all over the country (as the plant planned all along), the show ends on a seriously ominous note.
Congrats to the Audrey II puppeteers (Joseph Conrad, at left in photo #9), Lily Sanford and Yoanivette Davila Aguiar, as well as to James Cass of Picture This Photography for the scenic art, scenic dressing and props, and Shelly Giles for the great costumes ā and everyone else associated with the Players and this show. āLittle Shopā was super-creepy but it was also super-fun!
For more info (including about ticket sales and audition info) about the 2025 New Tampa Players shows āInto the Woodsā and āThe Music Man,ā visit NewTampaPlayers.org.Ā
If you like your musical comedies to be fun, with great songs and maybe a little bit of vulgar language, you should get your tickets now to “The 25th Annual Putnam County Spelling Bee,” the laugh riot being presented tomorrow ā Thursday, February 9 ā through Saturday, February 10, by Mad Theatre of Tampa at the Shimberg Playhouse at the Straz Center for the Performing Arts in downtown Tampa.
The show ā the first of MAD Theatre’s 25th anniversary season ā which promises some audience participation in the craziest Spelling Bee (with six mid-pubescent spellers, all played by young adults) ever, features a super-talented ensemble cast that includes two lead characters from recent New Tampa Players (NTP) productions ā Chris Cordero (who played Shrek in “Shrek The Musical”) and Dylan Fidler (who played Danny Zuko in “Grease”), as well as choreography by Evan Lomba (who played Donkey in NTP’s “Shrek”). The MAD Theatre show’s director is Casey Vaughn, with music direction by Megan Zeitler and artistic direction by Tony Gilkinson.
And, after checking out one of the show’s rehearsals ā which included at least two spelling words I’m ashamed to say I couldn’t spell ā I can assure you that “Spelling Bee” is not only fun and funny (the dialogue won both the Tony and Drama Desk awards in 2005 for Best Book of a Musical by Rachel Sheinkin), but also chock full of great, catchy songs, with the fresh and vibrant score by William Finn.
But, tickets (starting at just $20) are going fast, so to get yours, visit StrazCenter.org or MadTheatre.com.
The New Tampa Players Production of āDreamgirlsā has only three performances left ā Feb. 9-11 ā at the New Tampa Performing Arts Center. (Above, l.-r.) Caron Davis, Patty Smithey, & NaTasha McKenzie. (Rehearsal photos by Charmaine George)
Get ready, theatre enthusiasts! The vibrant and talented cast of the New Tampa Playersā production of āDreamgirlsā is in the middle of two weekends of an unforgettable experience, as the Players bring this iconic musical to the stage at the brand-new New Tampa Performing Arts Center (off Bruce B. Downs Blvd., behind the plaza that is home to Sprouts).
In what promises to be a showcase of local talent, this production is set to captivate audiences with signature songs, like āDreamgirls,ā āMoveā and āHard to Say Goodbye.āĀ
By the time this issue hits your mailbox, āDreamgirlsā will already have completed its first weekend, with only shows on February 9-11 remaining. If you havenāt seen it as youāre reading this, hurry to NewTampaPlayers.orgto get any of the very few tickets that may be left.
Since its premiere on Broadway in 1981, āDreamgirlsā has had a revival, three US tours, an international tour, and a West End run, as well as a hugely successful movie adaptation. With the New Tampa Playersā production, the musical is receiving a fresh and dynamic interpretation under the skilled direction of Clay Christopher, who brings a unique vision to this beloved classic. The excitement is palpable as the cast and crew pour their combined passions into every rehearsal, promising a show that resonates with energy and spirit.
āāDreamgirlsā is more than just a show; it is a celebration of local talent, community spirit, and the transformative power of theater,ā says New Tampa Players Producing Artistic Director Nora Paine. āThe echoes of the soulful melodies and poignant moments will undoubtedly linger in the hearts of the audience, showing once again that the magic of Broadway is alive and well in our own backyard.āĀ
Dreamgirls isnāt just a Broadway musical spectacle: the plot takes inspiration from the tumultuous rise of R&B and soul music during the 1960s and ā70s. Written by Tom Eyen with music by Henry Krieger, the show delves into the challenges faced by a female African- American singing group, the Dreams, as they navigate the cutthroat world of the music industry.
The musicalās portrayal of the struggles and triumphs of the Dreams mirrors the real-life stories of several iconic R&B groups, including The Supremes and The Shirelles. The show deals with themes of ambition, betrayal and the cost of success while shedding light on the challenges faced by artists, particularly women of color, in an industry that often prioritized image over talent.
Donāt miss your chance to see the magic unfold on the New Tampa Performing Arts Center (8550 Hunters Village Rd.) stage. Whether youāre a seasoned theatergoer or a first-time attendee, this community production of Dreamgirls promises an evening of entertainment, inspiration, and incredible talent. Get your tickets now at NewTampaPlayers.org.