Tag: new tampa players

New Tampa Players Cut Ribbon On Uptown Stage Home

Although the New Tampa Players (NTP) have big plans for when their permanent home at the New Tampa Performing Arts Center (PAC) opens behind the Village at Hunter’s Lake plaza (off Bruce B. Downs Blvd.), the theatre troupe isn’t missing a beat in the meantime, as it brings the performing arts art to the community in and near New Tampa.

Last month, NTP officially cut the ribbon on Uptown Stage, its black box theatre at the University Mall on E. Fowler Ave.

Moving from space to space is nothing new for the local community theatre troupe, which is made up of performers from all over the Tampa Bay area. In the nearly 20 years since New Tampa Players were founded in 2002 by Doug Wall, it has never had a permanent home.

While NTP signed a lease for the Uptown Stage in early 2020 and began performances and activities there earlier this year, the troupe held off on an official ribbon cutting until September 14.

“We used Covid to remake the space,” which used to be a Radio Shack, says Nora Paine, NTP’s producing artistic director. “We did a soft opening through the summer, just to get our bearings and get used to producing stuff in that space. Then, we scheduled the ribbon cutting for September so more people could attend after summer vacations.”

Paine’s role as producing artistic director is new. After serving as NTP’s volunteer president since 2017, and volunteering for the organization for 13 years overall, NTP named her its first official employee.

Because of NTP’s growth and expanded vision, the organization agreed to a governance change and chose Paine to serve in a role that functions as both the troupe’s CEO and artistic director.

She oversees all of the activities at Uptown Stage and is looking forward to when NTP can move into the PAC, as well.

“We will keep Uptown Stage even when we move,” says Paine. “It’s a good space for small shows.”

She says the PAC will be a big stage with 350 seats, allowing NTP to bring back big musicals that are loved by the community, such as “Annie” and “The Little Mermaid.”

At the Uptown Stage ribbon cutting, Hillsborough County commissioner Ken Hagan said the PAC will be ready to open sometime between Aug. 2022 and Jan. 2023.

“But, if we want to do smaller shows with less name recognition, or do some things that are normally not done, Uptown Stage will be a great spot,” says Paine, “so we intend to keep both going.”

The Uptown Stage space also allows NTP to stage smaller productions, where people who have never been in a show and would like to try can gain a small experience to help them develop their acting “chops.”

Uptown Stage keeps NTP close to the audience they’ve developed while performing at the nearby University Area Community Center the last few years. As the Center’s own programming grew, however, the performances could no longer be supported and NTP had to find a new location.

The first show at Uptown Stage was held in May. For NTP’s summer season, small groups performed “The Amish Project,” “Motherhood Out Loud,” “Bloom” and “Polka Dots.”

The space also is used for Saturday morning arts classes for students at nearby Muller Elementary. These often bring in guests to connect kids to the arts, and range from puppet theatre to acting to painting.

“Uptown Stage allows us to continue to pursue our mission to give as much access to the arts to as many people as possible in Tampa,” says Paine.

More than a half-dozen additional shows remain for NTP’s 2021-22 season. In January, for example, the troupe will present “Black Butterfly, Jaguar Girl, Pinata Woman and Other Superhero Girls Like Me,” in cooperation with Tampa City Ballet, combining the arts of theatre and ballet for the audience. Tampa City Ballet’s Paula Nuñez will choreograph pieces especially for the NTP production.

Coming up next is a production called “The Laramie Project: 10 Years Later,” which is a follow-up to “The Laramie Project,” a show about the 1998 murder of gay University of Wyoming student Matthew Shepard. “10 Years Later” is from the same creators, looking at what happened in the decade after that tragedy.

“Lots of people do ‘The Laramie Project,’” explains Paine, “but I haven’t seen ‘10 Years Later’ done anywhere in this area.”

“The Laramie Project: 10 Years Later” opens on Friday, October 15, at Uptown Stage. Tickets are available at NewTampaPlayers.org /tickets.

In addition, this fall will mark Season 2 of NTP’s “Amazing Arts Challenge,” a reality show modeled after “The Amazing Race” on CBS-TV. It sends teams all over Tampa as a way to bring arts organizations together and share with the community all the “cool arts stuff” in the area.

Last season featured well-known spots like the Tampa Theater and Straz Center, along with lesser-known murals, dancing companies, and more.

“We were looking for a way to brings arts organizations together during Covid,” Paine explains. “We wanted to be outside and not have people packed closely together, and give people the opportunity to watch from home but not be sitting in front of a computer for hours.”

Last season’s Amazing Arts Challenge can be viewed on the website, as well.

Anyone interested can learn more on the NTP website at NewTampaPlayers.org or by emailing Nora.Paine@NewTampaPlayers.org.

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Commissioners Vote To Build The PAC

The New Tampa Players (NTP), a local acting troupe looking for a permanent home, recently finished a run of shows with a cast of just a handful of performers in a 2,000-sq.-ft. black box theater at the old University Mall.

It’s not exactly what the group may have envisioned when it started nearly 20 years ago with the hope of a cultural center they could call home in the heart of New Tampa, but now, they can see a spotlight at the end of the tunnel.

Thanks in part to a public outpouring of support from many NTP and New Tampa community members, the Hillsborough County Board of County Commissioners voted 5-2 to approve a $7.3-million construction contract to build the long-awaited New Tampa Performing Arts Center (NTPAC).

“We weren’t 100 percent it would go through, but we are super happy it did,” said Nora Paine, a long-time member and current president of the NTP.

The vote is the biggest step yet for the project, which dates back to 2001, and was initially approved in 2014. Commissioner Ken Hagan, whose District 2 includes New Tampa, says a groundbreaking for the state-of-the-art, 20,000-sq.-ft. (expandable to 30,000 square feet) NTPAC should be scheduled in the next month or two.

Hagan would like to see the project, which is located in the Village at Hunter’s Lake development across Bruce B. Downs (BBD) Blvd. from the entrance to the Hunter’s Green community, completed by September of 2022.

“I’m ecstatic over the results,” Hagan says. “Good things come to those who wait. It only took 17 years, but we finally got over the finish line. The end result is that next year, New Tampa is going to have a first-class facility that’s going to be a wonderful centerpiece for the entire community to enjoy.”

Hagan told the Neighborhood News that the construction contract has been awarded to Dunedin-based Bandes Construction, but that the Request for Proposals to operate the PAC hasn’t yet happened.

Hagan told the Board he had received more than 140 emails in support of the NTPAC project. The handful of emails Hagan said he received in opposition to building it primarily dealt with traffic concerns.

Prior to the vote, more than a dozen speakers, including many NTP members, asked the commissioners to keep the PAC dream alive.

“A lot of us had concerns of (the project just being) small stores and another apartment complex,” said Hunter’s Green resident Rob Larsen. “Well, to our surprise, the Performing Arts Center was going to be the heart of this new center. And without it, it basically dies.”

District 63 State Rep. Fentrice Driskell sent an email of support, and Tampa City Council member Luis Viera, who represents New (and North) Tampa in District 7, weighed in as well, promising a commitment from the city to help pay some of the PAC’s operating costs.

Joining Hagan in voting to award the construction contract were commissioners Harry Cohen, Stacy White, Kimberly Overman and Gwen Myers.

They all cited the promises made to New Tampa residents over the years and, as Hagan pointed out, the money to build the PAC was approved back in 2019 and has been waiting to be spent.

“Promises made, promises kept,” said Comm. Myers. “I hope no other community would go through 17 years waiting on a decision from our county.”

The New Tampa Players, performing “Little Mermaid”, may soon have a permanent home to put on its productions. (Photo: James Cass of Picture This of Palma Ceia)

Commissioners Mariella Smith and BCC chair Pat Kemp voted against awarding the construction contract.

Smith said she didn’t believe the rights to operate the PAC once it was built should be awarded to the Manatee County-based Florida Cultural Group (FCG).

Kemp was critical of the PAC’s location. She said it was a “little teeny place carved out of a massive parking lot” and jammed between a strip mall and an apartment complex, both which financially benefited the developers and left the PAC’s actual location as an afterthought.

“It would just be a boondoggle for me to put an iconic building that you put up a lot of money for behind a strip mall and in front of a four-story apartment building,” Kemp said.

Following the construction vote, the commissioners addressed the concerns about FCG by voting unanimously for a Request for Proposals (RFP) to reopen the bidding process in order to find a group to handle the PAC operations.

Hagan says the county staff felt that FCG was the best organization to run the facility to get it to a net-zero operation, and that its extensive experience at fund raising and luring national acts would be an ideal fit.

“Unless there’s another organization that we’re unaware of, our staff feels that at the end, after going through the RFP, it will likely be FCG again,” Hagan says. “Whoever it is, I just want them to be able to be effective and able to fund raise and bring in national acts.”

Hagan said he also will champion the creation of an additional local board, comprised of New Tampa residents, to support the facility and help with any other issues.

For more information about the New Tampa Players, visit NewTampaPlayers.org. The troupe’s latest project, “Motherhood Out Loud.” runs June 11-12 at 7:30 p.m., June 13 at 3 p.m., June 18-19 at 7:30 p.m. and June 20 at 3 p.m. at the Uptown Stage at the University Mall (2200 E. Fowler Ave.).

Firm Picked To Design New Tampa Performing Arts Center!

In one of the more significant steps in the long, sometimes-tortured history of a proposed cultural arts center in New Tampa, the Hillsborough Board of County Commissioners (BOCC) has approved the hiring of a firm to design the facility.

Last month, the BOCC awarded a $598,413 contract to Fleischman Garcia Architects to draw a plan for the long-awaited facility, which is now officially being called the New Tampa Performing Arts Center (NTPAC), after years of being referred to as a “cultural center.”

“It’s an extremely significant and critical step in the process,’’ said District 2 county commissioner Ken Hagan, who represents New Tampa and has been involved in the project in various forms since it first sprouted in 2001. “It’s an important move.”

The design of the center — which will be located directly across Bruce B. Downs (BBD) Blvd. from the main entrance to Hunter’s Green, in the new Village at Hunter’s Lake development — is expected to be completed by the end of the year, with bidding for the construction services tentatively scheduled for May of 2020.

It is hoped that the $6-million construction of the NTPAC will begin sometime by November 1, 2020, and is expected to open by Jan. 1, 2022.

The facility — long-heralded to be the centerpiece of the New Tampa community — will be 20,000 square feet on its first floor, with the capability to have a 10,000-sq.-ft. second floor added later.

The building will include a 350-400-seat theater/multi-purpose room and stage to be used for community theater performances. It will be the home of the New Tampa Players (NTP) acting troupe, which currently stages its performances at the University Area Cultural Development Center (UACDC) on N. 22nd St., just south of Bearss Ave.

The stage area at the NTPAC will be more than 2,000 square feet, and Hagan said it will include an orchestra pit that he helped add after meeting with the NTP and addressing some of their requests.

The center also will host cultural/arts education classes, as well as meetings, banquets and other events.

There will be 1,040 square feet dedicated to NTPAC operations and education programs employees, including an office for the NTP.

The education wing will feature two studios with ballet and dance floors, mirrors and movable walls.

Hagan made note that the NTPAC also will be sustainable, incorporating solar power and electric vehicle stations.

Plans for the NTPAC date back to 2001, when a Connecticut firm was paid $27,000 by the City of Tampa for a study that determined New Tampa could support a small cultural center of its own.

A nonprofit group, called the New Tampa Cultural Arts Center, was offered the six acres of land it requested for the project, but the city requested the group come up with a $10-million endowment to pay for it, which killed the effort back in 2005.

Doug Wall, who was involved with those initial efforts, revived it again in 2007. But Wall, the New Tampa Players president and founding artistic director, could not secure the funding and he passed away in 2017.

Former county commissioner and Tampa Palms resident Victor Crist helped keep the project alive as he worked on finding funding. In 2014, the larger Village at Hunter’s Lake project, of which the NTPAC is a central part, was approved.

In a 2016 meeting at Hunter’s Green, Crist told the NTP he had secured partner-ships with the David A. Straz Jr. Center for the Performing Arts, the Patel Conservatory and the Prodigy Cultural Arts Program to bring gravitas to the project and elevate it to a high-level arts center.

Bruce b Downs new tampa players performing arts center

NTP’s ‘The Little Mermaid’ Ready To Be ‘Part Of Your World’

Before Disney chose Halle Bailey to play the role of Ariel in the live-action version of “The Little Mermaid,” Patty Smithey of Land O’Lakes (above) had already been chosen for the same role in the New Tampa Players’ production, which opens tonight.

When Disney announced recently that Halle Bailey, a teenage African-American actress, was going to play the lead role as Ariel in the live-action remake of “The Little Mermaid,” Patty Smithey thought that was really cool.

The idea, she figured, made perfect sense. And why wouldn’t she? After all, before Disney chose Halle Bailey, the New Tampa Players chose Patty Smithey.

An African-American actress herself, Smithey has been working hard to perfect the role of Ariel, which she was selected to play in the upcoming New Tampa Players (NTP) production of the 1989 Disney animated blockbuster.

The show opens tonight at 8 p.m. at the University Area Community Development Center (CDC) at 14013 N. 22nd St. in Tampa. There are two showings on Saturday, one on Sunday, and then showings the weekend of August 2-4.

For the past month, Smithey, who lives in Land O’Lakes, has been rehearsing with the rest of the NTP, a local acting troupe, at the CDC.

An acting hopeful in middle and high school, Smithey set aside her thespian dreams when she went off to college at Florida State University in Tallahassee.

Smithey earned a degree at FSU in International Affairs, studying abroad in places like Panama, Prague, Poland and Croatia, as she focused on human rights.

The acting bug, however, never went away. And, at the age of 25, Smithey is returning to her first love.

“It’s my big comeback,” Smithey says, with a chuckle. “I definitely feel honored I was chosen for this role.”

When she auditioned in May, she considered herself a longshot for any role. “The Little Mermaid” wasn’t exactly a movie rich with non-white characters.

On the paperwork for NTP, she put down a number of roles she felt suited to play, like Ursula, or one of Ariel’s sisters, or, she jokes, “maybe a fish in the background.”

She also, on a whim, wrote down Ariel.

Nora Paine, the president of NTP, says the troupe didn’t go into the audition process looking for a white actress to play the role of Ariel. She says that is never part of the process. “We looked for the person who could best embody the character,” Paine says. “For Ariel, we were looking for that innocence, a teenage kind of spunk, for lack of a better word.”

Because the movie revolves around a mermaid’s yearning to explore a new, forbidden world, the role had to be filled by someone who embodied Ariel’s way of looking at that world with total awe.

“Patty had the facial expression of Ariel, the innocent and the curious face,” Paine says. “She did really, really well.”

Not to mention the voice. Smithey took on the movie’s iconic ballad, “Part of Your World,” for her audition, considered one of the best Disney songs ever, and nailed it.

The role of Ariel was filled by someone who had the complete package that director Derek Baxter, choreographer Anne Tully, musical director G. Frank Meekins and Paine were looking for all along.

“I knew I could sing,” Smithey says. “But, when I got that call, wow, it was just amazing.”

Smithey’s enthusiasm for her role, and the significance of being a black Ariel, has not been tempered by some of the backlash Disney has received in social media for also picking an African-American for the role.

There have been hurtful memes passed around, and the hashtag #NotMyAriel actually trended on Twitter.

“I saw some of that on social media, and I was shocked,” Smithey said. “I mean, where are these people coming from, that they would be that upset about this mythical creature (being played by a black woman). Some of the stuff I saw was very negative.”

Smithey hasn’t received any backlash, and instead prefers to think of it as inspired and inclusive casting by Paine and the NTP.

The controversy over Disney’s decision has been noticed by Paine as well. While she admits that NTP may have smiled a bit when Disney made the same decision NTP did while casting, she says the debate over inclusivity in theater is a good one. She said diversity was a strong theme in many of the speeches at this year’s Tony Awards as well.

“We’re really glad it can be a national conversation, and a local one as well,” Paine says.

She says the NTP has always strived for inclusivity, no matter the production, no matter the role. The troupe has hosted productions like the Penguin Project, which provided opportunities for those with special needs, and inserted a host of actors into non-traditional parts for other productions.

In 2016, NTP reached out to residents in the University Area, where most of the troupe’s productions are performed — until their new home in New Tampa is completed — and asked them what they wanted to see. Residents in the area, which has a large African-American population, told the NTP they would love for their children to come to productions that had actors that looked like they do.

In 2017, NTP heeded that advice and did a production of the “The Wiz”, which re-imagines “The Wizard of Oz” with a primarily African-American cast.

Choosing Smithey was nothing out of the ordinary for NTP.

“ I think it’s great how they are modernizing the role,” Smithey said. “Maybe other little girls and little boys can see that anyone can be a princess or a prince.”

Smithey will lead 52 other castmates in what will be one of NTP’s biggest productions yet.

NTP is bringing in a choreographer from the Shinobi School in Temple Terrace, which focuses on acrobatic performances relating to parkour (movements used in military obstacle course training), ninja warriors and the circus arts.

“It’s going to add a circus twist to Disney,” Paine says.

Long pieces of silk cloth will hang from above to provide the illusion of being underwater, with performers artfully working their way around the silky streams.

“This is new, as far as I can tell, combining a traditional Broadway musical and circus arts done by a non-professional company,” Paine says.

“The Little Mermaid” opens Friday, July 26, at 8 p.m. For more information or to purchase tickets, visit NewTampaPlayers.org.

little mermaid new tampa players

A Whole New World For Performers With Special Needs

The joy in the room is palpable as the New Tampa Players’ Penguin Project group practices dance steps for “Prince Ali.” Peer mentor Olivia Carr dances with her Genie, Connor Olsen. (Photos: Libby Baldwin)

The cavernous main hall at the University Area Community Center swelled with a chorus of voices. The booming energy of the song “Prince Ali,” from the classic Disney film “Aladdin” sounded like a seasoned community theater production.

In fact, however, it was just a regular rehearsal for a very special group of New Tampa Players (NTP).

“Aladdin” will open on Friday, April 5, at 8 p.m., with additional performances on Saturday at 7 p.m. and Sunday at 3 p.m.

All performances will be at the University Area Community Center, located at 14013 North 22nd St. in Tampa. Tickets can be purchased online for $15.

The local community theater troupe’s president, Nora Paine, was attending a theater conference in summer 2018 when she learned about the Penguin Project, an initiative that gives children with special needs the chance to perform onstage.

Established in 2004 by Dr. Andrew Morgan, who spent more than 35 years as central Illinois’ primary medical specialist for children with disabilities, the Penguin Project matches each “young artist” with a peer mentor. These mentors, who are mostly children the same age as the performers who don’t have disabilities, volunteer their time to work side-by-side through four months of rehearsals and during the final performance.

“The New Tampa Players had been looking for something like this, but didn’t want to re-invent the wheel,” said Paine, herself a mother to three special needs children. “This program is unique because it gives these kids a chance for social networking outside of the special needs community.”

“Aladdin Junior,” which wasn’t modified from the original script, will be the first Penguin Project production not just for NTP, but in all of Florida.

The performing artists and their mentors attend 3-4 rehearsals per week that run for no longer than 90 minutes, to ensure attention spans don’t run out. Each peer mentor learns every line, every dance move and every blocking move, along with his or her artist.

Rehearsals are no slower-paced than regular children’s theater; peer mentors are expected to keep their artists on task.

If a special needs child becomes upset, the show still must go on.

“The young artist and their mentor go off to the side until they are able to calm down,” Paine said. “Then, they come back and join us. No big deal.”

The special needs actors get plenty of support from the all-volunteer New Tampa Players’ staff if they become overwhelmed. Music director Brad Roberts and choreographer Charis Lavoie comfort a young artist.

Paine has years of stage managing experience, a Bachelor’s degree in Psychology and a Master’s degree in Montessori Education, but she and her staff of choreographers, costume designers and musicians are all volunteers.

“It’s incredibly rewarding to see the happiness that it brings these kids,” said Brad Roberts, the music director for NTP’s “Alladin Junior,” who says he previously has worked with special needs children. “A lot of these kids, despite working at a different speed than I’m used to, have really impressed me with their raw talent and ability to learn and retain.”

While some of the artist-and-mentor pairs rehearsed, others sat patiently off to the side, using the time to run lines or go over dance steps. Even the youngest mentors, some under the age of ten, offered only smiles and gentle encouragement to their artists.

“They’re just so open and ready to go for it, and that makes them be a really supportive family for each other, which you don’t always see in groups of ‘regular’ kids,” said Roberts.

Truly A Special Bond

The young mentors don’t seem to mind that all their hard work will lead to someone else getting the spotlight.

*Olivia Carr works with Connor Olsen, who is playing the Genie, on his lines.*

“I’ve found a really good friend, and an understanding for how these kids think,” said 13-year-old Olivia Carr, who peer mentors the young actor playing Genie. “I have a lot of fun with him because he’s very energetic, and we have the same personality.”

Olivia’s mom, Tami Carr, enjoys watching her daughter be part of such a selfless undertaking.

“She looks forward to rehearsals all day; being a kid in general is rough, so seeing anyone struggle makes her want to help,” said Carr. “I wish everyone would come and see how much joy they have. It’s contagious, and hopefully, it will ignite a spark here that will catch fire.”

Paine said she plans to put on one Penguin Project show each year, and said the response from the community has been overwhelming. She credits District 7 Tampa City Council member Luis Viera, who is very involved in the special needs community, with helping her secure local sponsors, including Pepin Academies, the Arts Council of Hillsborough County, MOSI and more.

Paine’s 12-year-old son, Sebastian, mentors Jaden Figueroa, also 12, who landed the title role of Aladdin. Jaden said he wants to be a movie star when he grows up.

“He (Sebastian) helped me with my lines; we’re good friends,” said Jaden.

Paine’s 7-year-old daughter also Zoe is a peer mentor, and although the mentors don’t get the spotlight, Paine believes they gain something much more meaningful from the experience.

“She’ll come home after mentoring her friend Jack, and she’ll be so excited and proud that she helped him learn his lines and perform well,” she said. “They get a very special relationship.”

aladdin new tampa players Penguin Project