
I will readily admit that among the dozens of Broadway and Off-Broadway musicals that I saw during my years of living in New York, âThe Music Manâ was never one of my favorites. But, I only ever saw the hit 1962 movie starring Robert Preston as the conniving Prof. Harold Hill and Shirley Jones as the lovely librarian/music teacher Marian Paroo â although I was in the showâs (barbershop) âQuartetâ in my high schoolâs performance of the classic Tony Award-winning hit.

I thought the story of Hill, the traveling salesman/con man, and his duping of a town full of weird and often stupid characters, created by Meredith Willson and Franklin Lacey, was just too dated and not as much fun as some others.
But honestly, to me, the New Tampa Playersâ (NTP) production of âThe Music Manâ at the New Tampa Performing Arts Center was better than the movie. And apparently, I wasnât alone. All of the people sitting around Jannah and me raved about the talented cast and their beautiful singing voices, the sets, the costumes and the 15-piece orchestra â the largest ever for an NTP production â under the musical direction of the great G. Frank Meekins. I hope director Angel Borths, choreographer Tatiana Eriksen, costume designers Shelley Giles, Heather Cleveland, Travy Stemm and Dave Giles and production manager (and NTP producing artistic director) Nora Paine and the entire cast and crew are proud. This also was the first NTP show Iâve seen with sign language interpreters (photo below)!Â

The amazing Melanie Bierweiler was correctly sassy as Marian (and did a fantastic job singing âGoodnight My Someoneâ and âTill There Was Youâ) and David Groomes didnât disappoint in the demanding role of Prof. Hill on âYa Got Trouble,â â76 Trombonesâ and with Melanie on âTill There Was You.â The âQuartetâ of Chase Reeder, Michael Bonassar, Jacey Squires and James Cass hit every note of every song, including on âLida Rose.â
Neil Bleiweiss provided great comic relief as Mayor Shinn and Becky Groomes correctly âoveractedâ as his zany wife Eulalie. Talented youngsters Nora Duffy as Amaryllis (who sang like a songbird in duet with Melanie on âGoodnight My Someoneâ) and Luke Adams as Marianâs lisping brother Winthrop (who sang to the back of the theater on âGary, Indianaâ) showed that NTP has a bright future ahead. And, Debbie Scourtes brought a lot of verve to the role of Marianâs widowed mother Mrs. Paroo, who is trying to keep her daughter from becoming an old spinster.

You could just hear the audience hissing at the showâs one villain, Charlie Cowell (played to perfection by Stephon Mikell), and Jaden Figueroa and Chloe Tort were great as the young âtroublemakerâ Tommy Djilas and Zaneeta Shinn (âYe Gawd!â), respectively.
The largest cast Iâve ever seen in an NTP production also included the super-fun and funny Pick-A-Little Ladies (Lena Wigfall, Suzann Humara, Christy Adams and Chelsea Keith), plus nearly 20 âensembleâ players young and old (including the super adorable extra-youngâns Mars Wolfe Bonassar and Elliott LeFloch).
But, I wouldnât be telling the truth if I didnât say that Gabriel Martin White as Hillâs buddy and fellow con man Marcellus Washburn was this showâs scene stealer. He got laughs â calling Hill by his real first name (âGregâ) throughout â and he brought to mind the young Dick Van Dyke in âMary Poppinsâ with his expressive face and high-flying, elastic-legged dancing. My pics did him no justice!
Great job, one & all!
Up next for NTP are another classic musical â âOklahomaâ â in October, and âThe Sponge Bob Musicalâ (yes, really) in January. Auditions for both shows have already been held (although volunteers to help with both productions are still needed), so look for announcements about when tickets go on sale in these pages and at NewTampaPlayers.org. â GN




